For the third year running, Tall Pat Records has joined forces with the Empty Bottle to bring local Chicago acts to the stage for Cuddlestock: a showcase of Tall Pat Records’ pride and joys. Around 8 p.m. on Friday, December 4, there was a severe lack of cuddling, but after midnight, it was a body-to-body lovefest. If you were there, you saw Tall Pat, the near-seven-foot guy drunkenly declaring his love to his blushing newlywed wife from onstage before announcing each band.
Glyders took the stage to open the show and the mellow mood of the crowd blended with the warm-up act. Glyders have a lofi beach-punk sound with a slow country-rolling flare. All the vocals were double-layered through the mic, even when the band was addressing the crowd. It was a chilled-out, trippy vibe that warmed up what little crowd had gathered at the start.
Chicago is known as the home of jazz, punk and hip hop, but the Americana talent in this city is just as strong and well-developed of a genre. This notion was apparent through the performances of three semi-local bands at Subterranean on December 10th during a night of folk and Americana presented by Harmonica Dunn.
Thursday night’s show opened with Chicago folk band Midwest. Aesthetically the band was a picture perfect model of folk, filling out the stage with orchestral strings, acoustic guitars and an occasional tambourine (not to mention the physical adorableness of each member). Their hauntingly beautiful lullabies showcased the near pitch perfect harmonies between vocalists Heather Bodie and Nicolette Fendon. Paired with the violin, upright bass and pared-down drums, the music had a rustic element, perking the ear for a backwoods sound.