The members of Church Booty took the stage of Elbo Room on Saturday, July 1st and announced that Church Booty was no more. In the midst of releasing a new EP, expected in August 2017, the band will be operating under a new name that has yet to be announced to the public.
The night’s news called for a celebration, and Church Booty did not disappoint. Their energetic performance covered a number of the band’s past tunes as well as upcoming singles filled with funky beats, electric sax and impressive vocal deliverance. Their sound is mature and songs clearly crafted, but they hold some jam band elements with long instrumental lines and of improvisations. All in all, they’re professionals when it comes to putting on a show, leaving audiences without disappointment as they end their time as Church Booty.
All great things make a comeback. Or at least, they should. In terms of great music, nothing strikes the heart of Chicagoans more than jazz, and nothing inspires artist Brad Cole more than old school, jazz-inspired, Bossa nova. Looking for an outlet to explore the sounds of Bossa nova, Cole started Bossa Blue, a smoky quartet covering a wide range of classic rock tunes and jazz standards every Wednesday in April at The Hideout.
The music industry is no new beast for Cole. As a seasoned musician with strong followings in Chicago, Nashville and New York, Cole has spent many years exploring various genres such as rock, reggae and Americana; and has done so successfully. But as Cole explains after his first residency performance with Bossa Blue, to be truly successful, one has to push boundaries and not shy away from the unexpected.
Ella Casazza is nothing short of energetic. The Chicago singer-songwriter bounces about her Bucktown home, preparing French press coffee in excitement for the completion of her first full-length album. With its catchy lines and pop melodies backed by her signature full band sound, Proof is everything fans love about Casazza. It’s sassy, organic and unapologetically authentic to the modern retro-ness of Elle.
Of course with a new album comes a variety of other projects for the young musician. In the upcoming months, Casazza has planned an extensive tour, new music videos and the formation of a songwriters’ circle. There seems like so much to do, but Casazza reminds herself to “just keep on keeping on”. At the end of the day, things may feel overwhelming and hectic, but that’s all part of this crazy life of music.
Nothing fits quite as nicely as hip-hop and jazz. The two genres may not be a typical mashup, but the Chicago duo Bonelang definitely makes it work it on their newest EP Venn Diagrams (Pt. 1). With careful layering of emotional vocals over smooth instrumentals, Bonelang has put together a truly unique piece of art. The music stands out on its own, but it’s not what makes Matt Bones and Sammy Language artists. They’ve collaborated on a complete body of work which includes 12 tracks split between two releases, a four-volume short film series entitled Venn Diaries, two music videos, multiple 3-dimensional installations, an art book and a photo series. Each piece is being released in its own time, creating a true experience for fans as they explore the minds of Bonelang.
The EP opens with Bonelang’s first single “Mushroom Moon”; a creatively arranged piece pairing jazzy instrumentals with heavy beats and poetic lyrics. From the first downbeat, the vocals are strong building with emotion until the lines “I like my city dirty and I like my thoughts deep/I like the sky scrapped and I like the concrete,” are belted out. These lyrics repeat throughout the song, always the same and always different. They become a bit of a mantra as a round breaks out with “I know you wish that someone could be on your side but I’m hopelessly addicted to my own brain child oh/What am I to do if I can’t have you?” There’s a great deal of buildup as the music fills with static and distortion before abruptly coming to an end; like the white noise on like a television before suddenly being turned off to a silent room.
Stationed in the Windy City by way of St.Louis, Mary Porzelt, known to fans by her stage name, Sweet Mary, is getting ready to add a new city to her list of addresses. Following in the footsteps of her close mentors and friends, The Main Squeeze, the blues singer will be moving to Los Angeles later this year in pursuit of new musical opportunities. But before leaving the home of blues, Sweet Mary spoke with Listen Live and Local about her upcoming show, her passions outside of music and even let us in on a secret about where she feels most inspired to write.
This week Chicago promoter Harmonica Dunn will be hosting Dunn Dunn Fest; a three night, six venue showcase featuring a number of local (and non local) bands. The fest will run from Thursday, February 18th to Saturday, February 20th with performances at Beat Kitchen, Subterranean, Tonic Room, Lincoln Hall, Schubas and The Hideout.
With so many great local bands at some of Chicago’s top venues, you really can’t go wrong with any show. Nonetheless, here’s who we’re excited to see: