Chicago-based punk rockers The Peekaboos, have released their newest video for “The Quantifiable Song” from their 2016 album Help Stop Decay (which we so kindly reviewed for your reading pleasure). The ‘sledgehammer satire’ video is heavily inspired by John Carpenter films (Halloween, Christine) featuring laser gun battles, exploding Hitler-heads and pig puppetry. The video was made at Kildare Studios in conjunction with “NEW TRASH”.
The Peekaboos’ next performance will be on May 11th at Emporium Arcade Bar in Wicker Park. The night will also include performances by Candy Ambulance and Post Child.
With a few releases and business models behind them, The War on Peace collectively agrees that their newest EP Automated People encompasses the sound and creativity they’ve been striving for. With a stellar first single, “Fear of Loss”, and accompanying sci-fi inspired music video directed by Chicago-based filmmaker Chris Hershman, the band is setting the groundwork for what they hope will turn into a successful career.
In addition to covering the basics (solid music and supplemental materials), The War on Peace is working on new and creative ways to not only standout in a saturated music scene, but to monetize on their art. The first result has been a subscription service called The Collective, which the three members were kind enough to discuss with Listen Live and Local, along with some interworkings of the band and their creative process behind putting together an EP.
Chicago-raised singer-songwriter Layla Frankel set off with her Little Martian guitar in the fall of 2015 to travel Europe. The following spring, Frankel spent two months hiking 600 miles on the Israel National Trail. On her hike, she carried a children’s book, The Little Prince. It was the combination of this book and these travels that the inspired the singer’s debut album Tame the Fox, released April 25, 2017.
The 6-song release, produced and arranged by Frankel and recorded by Josh Richter, is a beautiful collection of bluesy folk tunes filled with rich tones and rhythms. It features a number of talented musicians such as guitarist and bassist Dave Hildebrand, drummer Robert Rashid and Eddie Ganet on keys.Continue Reading
Like any great Americanized genre, there is no right way to rock. Thanks to its variety of styles, rock music has grown to include elements of punk, folk, metal, pop and so much more. On Friday, February 3, five local bands came together at Double Door and treated audiences to a few of the many different facets of the legendary sound.
The night started with a bit of twangy grunge brought to listeners by the obsolete sounds of Lost But Happy. While they definitely get an A for energy and a strong instrumental presence, the vocal harmonies were a bit shaky. Their set did end on a high note with the tune “Lost But Happy”; a theme song complete with catchy kazoo lines and a bit of banjo (because you really can’t go wrong with a kazoo and banjo).
The word “ethereal” is used to describe something that transcends the confines of planet Earth. It’s something that’s so pure and elegant it’s almost celestial, perhaps heavenly. Chicago-based jam band Ethereal Groove, Incorporated, known as EGi, has worked for about six years to take adventurous folks across the Midwest to a higher plane with its energetic improvisational jams. With the help of some friends in popular nationally touring groups like Dopapod and Turkuaz, EGi has finally released its debut full-length album, “Plyatron”, which is now available on music services like iTunes and Spotify.
EGi guitarist Noe Perez sat down with Listen Live and Local just before taking the stage at the band’s album release party at Chicago’s Bottom Lounge on March 5th. He discusses what it was like recording with members of Dopapod and Turkuaz, the band’s upcoming performance at Summer Camp Music Festival and where the band feels most at home when away from Chicago.